Table of Contents
- 1 About Dr Strangefolks Performance
- 2 Photo Documentation
- 3 Video Documentation
About Dr Strangefolks Performance
Dr Strangefolks is a performance piece that aims at penetrating a colonial and non democratic institution where fate of many lives were decided.
“They are not only ruling over our fate, but also deciding our ways of life, for example what we are going to eat, how we should dress or when we should call our mothers…” chirped the non-fascist bird.
Walls, instruments of control, are mostly build by paranoid heterosexual male to stop penetrations of strange bodies in the feminised nationhood. This paranoid authoritarian subject perceive his body under constant penetration threat of dangerous and foreign objects.
With temporary penetration method Dr Strangefolks performance infiltrate into the first colonial museum in the world: the Dutch Royal Tropical Institute. Acting as a business entity we rent the institute for a conference knowing that artistic performance would not be tolerated or face the gate keepers.
Dr Stangefolks performance is committed to the development of temporary, imaginative, anti-colonial and feminist futures to come after the end of life due to upcoming climate change catastrophe in the next 12 years. Variety of participatory performance score are at play but one the most important moment towards achieving that imagination is when everyone present at the event is able to share their agenda’s and demands before end of life as we know it.
We voice those demands loudly to vibrate the colonial architecture and penetrate through its walls, demanding non-normative, strange and anti-patriarchal bodies and voices to replace the white heterosexual paranoid man cluster in the ‘war room’* conference table.
In honour to ancestors like Ana Mendieta, Marielle Franco and so many females that couldn’t finish their works.
*War room refers to a scene in a cold war movie Dr Stangelove (Stanley Kubrick1964) where white heterosexual men dominate a large conference table in the war room to decide the fate of humanity when the soviet Doomsday is triggered. Modern and contemporary versions of similar events would be Berlin Conferences (1884–85), Sykes-Picot Arrangement, Heeren XVII (the Lords Seventeen) or G8, G20, etc.
Project created by Thais Di Marco, Ehsan Fardjadniya, Judith Kende
Performered by and with Usman Ahmedani, Rodrigo Batista, Paula Chaves, Thais Di Marco, Ehsan Fardjadniya, Judith Kende, Sydney Lowell
Production of the day by Monica Sharon
Press and PR: Chihiro Geuzebroek
Photographery by Chun-Han Chiang
Videography by Roberta Marques
Time: 25th of November 2018 at Tropen Institute Amsterdam
15h to 16h Arrival and reception
16h to 17h Conference Performance
17h to 18h Drinks at the bar
Facebook Event: https://www.facebook.com/events/183510895899031/
Address: Mauritskade 63, Amsterdam
Tickets at the door for 8€. For those who can not afford it any donation is welcome.
Thank you to the following contributors for performance research lab: Fernanda Romman, Mavi Veloso, Karina Villafan.
Also thanks to Leoni Kuipers, Sameh Osman, Noah Volker.
Amsterdams Fonds voor de Kunst