‘Hinterland’ in Post-Peace Exhibition at Wuttembergischen Kunstverein Stuttgart. Installation and performances
In this article you can read about the concept of ‘Hinterland’ installation in Post-Peace exhibition at Wuttembergischen Kunstverein Stuttgart. In this post you can also see performance related or specifically doen with and on the installation.
Concept of ‘Hinterland’ installation in Post-Peace exhibition:
‘Hinterland’ after ‘Stage for Tragedy’ (interpretation of Alexandra Exter’s drawing for a stage setting for a tragedy in 1924) at Post-Peace exhibition at Wuttembergischen Kunstvereins from 24th Feb. (opening) to 7th May 2017.
Final installation documentation:
List of perforamces:
Building up the ‘Hinterland’ Mid Jan- 24th Feb.:
Building up the ‘Hinterland’. Working everyday for duration of 5 weeks with only one Sunday break. This video and the peom below is on condition of work as a foreigner, ammunition boxes and more.
Hinterland is a place between two lands
It isn’t the mainland, it isn’t my motherland
They say it is a port of fabrication, with no shine in its sand
You should leave from it, as far as you can
I want to reach, what they showed me as heartland
Not this euro-pallet and plastic, shantyland
Hinterland isn’t Netherland, Deutschland, Finland or Switzerland,
Nor is ausland in or outside the motherland
I got a new occupation in this new portland
I build ammunition boxes for the homeland
They say it wouldn’t be used in your fatherland
The money will go to art and culture on one hand
And some for sick baby grant, on the other hand
I don’t know, maybe it is for those who we strand
One day on this, not light but dark dark volcanic sand
A.S.I. (Ehsan Fardjadniya)
‘Where is Stammheim?’, 14th February:
Where is Stammheim (1)? Or where is Stamm Heim (2)? Where is home? Where is the prison? Where is exile? Are you home in exile? Can you feel home in prison? Can prison become home? Does a shelter, a place to refugee still exist? Where are the boarders of prison? How can you escape that prison? And where would you go after crossing the boarders of that prison? The last question reminds me of the moment when Truman touches the walls horizon in the end of the sea.
Related Article: ‘The Built Environment and Carcerality‘ by Egbert Alejandro Martina. Quote:
“Mi mama no tin plaka My mother doesn’t have any money
Hinka mi den un doshi Put me in a box
Manda mi na Hulanda (And) sent me to the Netherlands
Ora mi a yega Hulanda When I arrived in the Netherlands
An old Curaçaoan children’s song”
- Stammheim is a maximum-security prison in Stuttgart, Baden Wuttemberg, Germany. An extra secure part was added to the jail to confine the Red Army Faction leaders as well as trial courthouse. The prison is where the “Dead Night” happened. A night when four leading members of Red Army Faction committed successful suicide, accept the fourth member Irmgard Möller who survived her suicide attempt. She stated that the deaths where no suicide but rather undertaken by the German government.
2. Stamm means tripe and Heim means home in German. Although the combination of words in such order and with space in between is not used in German language.
‘I Must Seek Refuge Again‘, 24th February:
Ongoing performance during the opening of Post-Peace exhibition entitled: ‘I Must Seek Refuge Again‘. A durational performance in the close confinement of one boxes for time span of seven hours.
The performance was not announce to the public but only communicated with few people so that it would become a secrete information or roamer.
The end of the performance happened by intervention of Anna Dasovic, one of the artist in the show. She repeatedly insisted that i should stop, end the performance and come out of the box. A that moment i thought actually this is a very sincere and humane request. During my performance i was actually thinking why no one comes to save me? In some snooze moments in the box i actually was dreaming that people at the opening and artists whom would know will come and save me out of the box. The longer it took the more disappointed i become about my possible saviours.
‘Ammunitionboxing’, 26th February:
‘Ammunitionboxing’ inspired by ‘Soapboxing’, which is a improvisational political talk in public space. This performance took place at Schlossplaz outisde the Wuttembergishe Kunstverein Stuttgart at the second conference day of Post-Peace exhibition. I invited the public to take a box from the installation and take it outside the white-box to the main square where i held my soapboxing speech
Title: ‘Cinedome’ Geodesic dome for collaborative cultural events
Subtitle: Portable Green energy mobile stage for event and collaborations
Info: A self-designed and build geodesic dome together with powerful off grid solar system
Year: 2013- ongoing
Documentation: Photography, Video
Title: ‘Pirate Cinema’ Maldives Pavilion 55th Venice Biennale. portable, green energy, public space cinema
Subtitle: Portable, green energy, public space cinema from Amsterdam to Venice
Info: Two weeks of public space film screening in streets of Venice as part of public program of “Portable Nation” exhibition at the Maldives Pavilion at 55th Venice Biennale
Documentation: Photography, video
Interview with Ehsan Fardjadniya by Dorian Batycka
Title: ‘Occupy Information‘ at Occupy Amsterdam
Info: Self-made and collectively organised mobile information stand at Occupy Amsterdam.
Documentation: Photography, video.
Title: Cultuur Taxi (Dutch), Culture Taxi for Refugees
Info: Self-organised Museum-night tour for refugees.
Documentation: Slideshow, Storytelling.